![]() Wilfred is about a man and his neighbor’s dog, who develop a friendly relationship. The show is also an example of another FX trend – snagging big screen talent to headline it’s offbeat programming. Wilfred, for instance, was adapted from an Australian series of the same name. Throughout its run as a destination for quality TV, FX has smartly bolstered their original programming with adaptations of other shows and films. Unfortunately, audiences disagreed, and we are left wondering what could have been. It was well acted and well directed, and had all the polish and sheen of a prestige drama. It took place in an environment that is both relevant at the moment and naturally ripe for dramatic conflict. Despite its middling reception, The Bridge checked a bunch of boxes for FX. ![]() ![]() Diane Kruger and Damien Bachir played starring roles as an El Paso detective and Chihuahua state policeman, respectively. The Bridge took place on the border between American and Mexico, pairing cops from each country together to investigate a body uncovered on the bridge between El Paso and Juarez. After passable ratings in its first season, the numbers fell off a cliff in its second, and the show never returned to air. Despite being both uniquely cinematic and dramatically compelling, the show struggled to accumulate viewers. But it is a solid genre work by a team who knows how to make quality entertainment, and it’s a great place to find real scares on the small screen.Ĭritics – and the relatively small fan base still watching – were disappointed when FX didn’t renew The Bridge for its third season. The show may not be groundbreaking or particularly notable. Carlton Cuse is a TV veteran who is most known for show-running Lost Guillermo Del Toro is, well, Guillermo Del Toro and Chuck Hogan is an established author who wrote the novels The Strain adapts. Still, The Strain is enjoyably even in quality, probably due to the experience of the folks handling the proceedings. The show has been well received by critics, but has struggled to find an audience, likely due to the niche nature of its premise. The Strain tells the story of a world ravaged by a viral outbreak of vampirism, and the efforts of the show’s protagonists to stop the spread before it’s too late. That luxury extends to bringing ideas to life with a big budget and a dedicated production, even if their ideas were of gory horror, of vampires and disease. Over a decade into a successful run of originals, the network had the luxury of creating with names like Guillermo Del Toro, Chuck Hogan, and Carlton Cuse. The Strain is emblematic of where FX was able to go by the time 2014 arrived. ![]() These are the 20 Best FX Originals Ever, Ranked. There have been transcendent shows, and there have been duds. As with any network, the time since FX first dipped its toe in the prestige pool has been uneven. For all their achievements, even AMC was late to the basic cable party - behind FX.įor a few solid years, the network that once broadcasted out of a fake apartment and called themselves “the first living television network” was the only basic cable channel holding its own with premium giants like HBO when it came to scripted programming. After the gimmicky talk shows passed by, and the days of syndicated sitcoms and B-run movies after them, FX became a heavyweight in the last golden age of television. The great irony of fX’s trajectory bore itself out nearly ten years later, once the fledgling network, so connected and interactive (so alive!), had capitalized it’s F and become one of television’s premier locations for original scripted programming. The whole premise of fX back then seemed to be that anything could happen, and that the viewer somehow had agency over the events on the screen. Interactivity was the type of fluid idea that could set a network apart in terms of attitude in 1994, even though the concept is ubiquitous enough to be effectively meaningless today. All the series were broadcasted from an apartment set, and all the shows prized one quality: interactivity. Blocks of many different strains of live programming, from talk shows to junk appraisal shows, filled fX’s airtime. It’s the kind of buzzy yet vague claim that matched the young network’s self-image at the time. That was the tagline for FX – at the time it was stylized fX – when the channel debuted in 1994. “The World’s First Living Television Network”.
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